Sony FX3 Full-Frame Cinema Camera with 24-50mm Lens and Monitor Control Kit

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Description reviews

Sony FX3A Full-Frame Cinema Camera

Cinematic Capture in a Compact, Streamlined Form

With a compact design for solo shooters, travel applications, or as an ideal B camera, the Sony FX3A borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3A features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a "cage-free" design, offering the ability to secure various accessories directly to the camera body.

Expressive UHD 4K Video Capture

The FX3A's 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and a greater-than-15-stop dynamic range for working in mixed lighting conditions. Benefiting color and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.

4K Full-Frame CMOS Exmor R Sensor

A 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3A true cinematic expression with 10.2MP effective video and 12.1MP still capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.

S-Cinetone Color

Beautiful skin tone reproduction and a softer-toned look that complements your VENICE, FX9, or FX6 footage are created using the FX3A's default S-Cinetone color setting. S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support help maintain rich gradation and color matching with the range of Sony Cinema Line cameras, while HLG HDR provides the option of direct HLG playback without the need for grading.

Video Recording

Capture sharp, detailed images at rates up to 4K 120p with up to 5x slow motion at 24p output. Recording options include the ability to output DCI 4K+ in 16-bit raw over HDMI to compatible recorders while simultaneously recording XAVC 4K and proxies in-camera. Internal 4K recording options include 4:2:2 10-bit color with All-Intra and Long GOP codecs.

Cooling features like a silent fan and a heatsink dissipate warmth to enable uninterrupted recording up to 4K60
Dual SD card slots accept both CFexpress Type A and SDXC cards for easy relay or backup recording
Super 35 1080p capture at rates up to 240p

Steady Focus

Now, even solo shooters can keep the action in focus thanks to real-time Tracking and Eye autofocus functions made possible by AI-based algorithms, plus a simple touchscreen focus function.
Seven choices of AF Transition Speed let you rack focus, and five AF Subject Shift settings enable you to adjust the speed when shifting from a locked-on subject.
Fast Hybrid AF uses 627 points to cover approximately 89% of the image frame.

Ergonomic Form for Solo Operation

The FX3A's cage-free design enables you to mount ¼"-20 compatible accessories directly on the camera or the detachable handle, saving you the weight and setup/breakdown time of a camera cage. The clustered record button, focus and menu controls, and six assignable buttons all help to enable single-handed control, leaving your left hand free for balancing or controlling your lens.

Tilting Touchscreen LCD

The fold-out 3" touchscreen LCD has a crisp 2.35MP resolution and can be variously angled for optimal viewing.

Easily Viewable Tally Lights

Top, front, and rear tally indicators let the operator, talent, and sound person know precisely when the camera is recording.
This enables more accurately timed movements and dialogue delivery.

Quality Audio Options

Pro audio recording options include:

A detachable XLR adapter handle with two XLR-1/4" TRS combo audio inputs
A mic holder and a 3.5mm input for adding a microphone
Up to 4-channel, 24-bit audio recording

Remote Control, Streaming, and Transfers

Control your FX3A remotely using the Imaging Edge Mobile or Imaging Edge Desktop apps, and transfer files using Wi-Fi or via a wired USB-C connector to let your editor get a jump on post-production.
You can also stream your content using your computer and the Imaging Edge Webcam app.

Post-Production Stabilization with E-Mount Lenses

Sony's Catalyst Prepare/Browse software uses shake metadata to stabilize your image
An adjustable balance between shake compensation and image area trimming lets you fine-tune the image

Improved FX3A Features

The FX3A updates the Cinema Line with improvements like comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.

Common FX3A/FX6/a7S III Features

Like the FX6 and the a7S III, the FX3A features:

Full-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor
High-speed rates of 120p in 4K and 240p in HD
A dynamic range of 15+ stops

Shared FX3A/FX6 Attributes

Attributes that the FX3A has in common with the larger FX6 camera include:

S-Cinetone, S-Log3, HLG, and Rec. 709 gamma options
Tally lamps on the front, side, and rear
An internal fan to prevent overheating
A zoom lever for easy frame adjustments

Shared FX3A/a7S III Attributes

Attributes that the FX3A shares with the a7S III include:

5-axis in-body image stabilization
16-bit raw output via HDMI
S-Log2 gamma choice
80 to 409,600 ISO range (expanded)

Wireless Connectivity

Dual-band 2.4/5 GHz wireless connectivity
Wired LAN link using the USB-C port and a separate adapter

UPC: 027242932302

Sony FE 24-50mm f/2.8 G Lens (Sony E)

A Portable, High-Quality Mid-Range Zoom Lens

Bringing a bright, wide maximum aperture to an easy-to-carry form factor, the Sony FE 24-50mm f/2.8 G Lens is a versatile mid-range zoom lens built for everyday mobility. The lens's outstanding image quality benefits both stills and video shooters, yielding high resolution and smooth bokeh.

Image Quality and Optical Design

Featuring 16 elements in 13 groups, this zoom's optics have been optimized to provide greater resolution, clarity, and bokeh quality.

Bright f/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field. Combined with its 11-blade circular aperture, the lens yields a large and smooth bokeh.

Four aspherical elements help minimize spherical aberrations, distortion, and also reduce 'onion ring' bokeh, while two extra-low dispersion elements effectively suppress chromatic aberrations and color fringing for greater clarity and color fidelity.

The lens boasts strong close-up performance thanks to a minimum focusing distance of 7.1" and a maximum magnification of 0.33x.

Autofocus

Faster focusing performance, improved close-up shooting, and enhanced control are all benefits of the redesigned focusing system.

The autofocus system's linear motors contribute to improved focusing performance, resulting in a faster, quieter, and more precise AF ideal for both video and stills.
Faster AF means improved focusing when working with fast-moving subjects; support is available for shooting at up to 120 fps with the Sony a9 III, full AF is maintained even when shooting stopped down, and focus tracking is possible even when in shooting slow motion 4K 120p and Full HD 240p.

Improved Control and Video Capabilities

Just as camera design has grown to appeal to both photo and video shooters, this lens has also been updated with attributes that specifically appeal to the needs of video shooters.

The lens supports Dynamic/Active Mode image stabilization in compatible cameras.
Supports the Breathing Compensation function in select cine-line and Alpha cameras.
Manual aperture ring can be de-clicked for silent operation, and the zoom smoothness can be adjusted depending on the desired torque.

Compact, Lightweight, and Robust Design

Bringing a bright, f/2.8 maximum aperture to a compact and lightweight optic, the lens is primed for a broad spectrum of use cases and remains a weather-sealed, durable lens for use in trying working conditions.

Fit with a manual aperture ring, tactile exposure control is possible. This ring can be de-clicked for smooth and silent iris pulls, or it can be locked in the 'A' position for camera-based aperture switching.
One programmable focus hold button and a focus mode switch for intuitive focus control.
Dust- and moisture-resistant design for use when working in inclement weather conditions. The front lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.
Included lens hood has been redesigned to complement the lens's sleek design by reducing both its diameter and length.

UPC: 027242925151

Atomos Shinobi II 5.2" HDMI HDR Monitor

Brighten your on-camera monitoring with the Atomos Shinobi II 5.2" HDMI HDR Monitor. The Shinobi II has been designed for vloggers, photographers, and content creators with numerous feature improvements over the original Shinobi, including a slimmer body design, a 50% brighter display at 1500 cd/m², USB-C camera control for Canon/Panasonic/Sony/Z CAM with status indicators, a new AtomOS 11 interface, USB-C PD power I/O, a locking HDMI and USB-C adapter, updated image tools, and ultra-low battery consumption so the monitor can run all day on only a single battery.

Camera Control

Use the USB-C port to control the latest mirrorless or DSLR cameras from Canon, Panasonic, Sony, and Z CAM's E2 line. There is also a 2.5mm LANC port on the side for additional control compatibility.

NOTE: This will expand with future support for cameras from FUJIFILM, Nikon, OM System, and Sigma with firmware updates.

Touch to Focus

NEW: With AtomOS 11.03.00, you have the ability to set up the camera's focus point directly via the touchscreen. Compatible cameras include:

Canon: EOS R6 Mark II, EOS R1, EOS R5 Mark II, EOS R7
FUJIFILM: GFX100, X-S20
Nikon: Z9, Z8
Panasonic: LUMIX S5 II, S5 II X
Sony: a7 IV, a7S III, ZV-E10 II, FX3, FX30

Shutter Release

NEW: The shutter release function allows photo capture triggering right from the Shinobi II touchscreen. It is useful when you are shooting multiple exposures for HDR bracketing, focus stacking, or other similar workflows.

Camera Status

A camera status indicator allows you to keep an eye on the camera's internal record settings, battery status, and remaining recording time. A red edge display shows when the camera is recording internally, whether triggered by the camera or from the Shinobi II.

AtomOS 11 & Advanced Image Tools

The Shinobi II includes the latest Atomos AtomOS 11, which introduces numerous new tools and features with a more logical layout and easy-to-navigate interface.

Use the Shinobi II interface to adjust your camera lenses' aperture, shutter speed/angle, and ISO with its built-in exposure tools, such as false color (Atomos, ARRI, and EL ZONE colorized exposure modes), waveforms, zebras, or histogram, and achieve perfect exposure on every shot.

Brighter Display

The 5.2" touchscreen display is 50% brighter than the Shinobi, measuring 1500 cd/m² peak brightness, making it easily readable whether you're shooting indoors or in bright sunlight.

Input Signals

The Shinobi II features an HDMI 1.4 input that allows you to monitor signals in various resolutions and frame rates up to DCI/UHD 4K30 and up to 1080p60.

HDR & LUT Support

The HDR HLG and HDR PQ monitoring modes allow you to preview what your camera's Log output might look like in HDR. Users can also upload up to eight custom LUTs to the monitor's built-in storage to preview their shots with their own favorite looks.

Frame Guides

A variety of built-in cinema-style and social media-focused frame guides help compose your shots, including presets for 2.41, 2.35, 1.91, 1.9, 1.85, 16:9, 9:16, 4:5, 2:3, 1:1, 5:4, 4:3, 3:2.

Lightweight Design

The monitor has been designed with a slimmer form factor, weighing only 7.4 oz, and there are added locating holes alongside the 1/4"-20 threads for anti-twist mounting. A single L-series battery plate on the back has been placed in the center to improve balancing and maneuverability. The included HDMI/USB-C locking adapter allows you to use Atomos' new line of locking cables to prevent disconnecting or pulling.

Power Options

There are multiple methods to power the Shinobi II, including an L-series/NP-F style battery, an optional battery eliminator (dummy battery) in combination with a DC barrel to D-Tap cable, or via a USB-C PD charger with 10W input. You can also charge/power your camera via USB-C PD 13W output while using Shinobi II's camera control features.

UPC: 814164022941

Atomos Sun Hood for Shinobi II (Black)

When monitoring in harsh lighting conditions, this black Sun Hood from Atomos for the Shinobi II 5" HDR monitor will block excess reflections and glare from washing out the displayed image. This is especially important when viewing HDR imagery, which naturally uses a larger contrast range and can easily be overpowered by glare. It also protects the screen during transport. It snaps right onto the monitor's bezel without requiring any tools.

UPC: 814164023078

SmallRig Swivel and Tilt Adjustable Monitor Mount with Cold Shoe Mount

Mount any 5 or 7" monitor with a 1/4"-20 mounting thread on your camera with this Swivel and Tilt Adjustable Monitor Mount with Cold Shoe Mount from SmallRig. This adjustable mount easily attaches to your camera rig using a cold shoe mount. It swivels 360°, tilts 170°, and is lockable in any position to establish the best possible viewing angle.

This sturdy and durable mount is constructed from aluminum alloy and stainless steel. The package includes an Allen key for adjusting tilt angles and tightening in place.

Compatibility

5 and 7" monitors

SmallRig 1241 Cold Shoe

The aluminum-constructed 1241 Cold Shoe from SmallRig directly mounts to any camera accessory with 1/4"-20 or M2.5 threads so it can be used to mount your camera to rigs, brackets, and cages. You can adapt a microphone, video light, or other accessory to the mount, just follow the arrows at the top that show the direction to slide the accessory in. The bending bevels inside the mount prevent the accessory from sliding out or becoming accidentally removed.

ZILR Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (17.7")

The 17.7" ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet provides secure connectivity and support for uncompromising resolution while remaining flexible and easy to manage. It is compatible with HDMI 2.0 and features locking 24kt gold-plated Type-A male connectors with a low profile of just 24mm.

The cable integrates an HDMI Ethernet channel, HDCP 2.2 to play protected content, and camera Log formats for color grading workflows. It allows bandwidth up to 18 Gb/s, up to 4096 x 2160 resolution at 60 Hz for one device, Full HD 1920 x 1080p resolution, and HDR for compliant devices.

High Resolution at 4Kp60

Experience Ultra HD image quality for your digital movies, TV shows, video games, and cinema production with support for resolutions up to 4Kp60 UHD (3840 x 2160) for 4K Ultra HD TVs, streaming devices, video game consoles, high-end PC

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